Even my most fervent cynical impulses couldn't stem the flow of tears from my eyes on Oscar night.
And flow they did, like Swarovski crystals from the ceiling of the Kodak Theatre, first and most heavily as
Dustin Lance Black implored queer youth around the world to consider themselves "beautiful, wonderful creatures of value," and later as
Sean Penn shamed Prop 8 supporters for their intolerance and made a resounding call for queer rights throughout America.
Truthfully, I wasn't sure I'd ever see the day where even
one Oscar-winner would make such a passionate call for gay and lesbian rights. Sure, Ang Lee acknowledged in his
2006 acceptance speech for
Brokeback Mountain that gay and lesbian love is "denied by society," but his overall message seemed trumped by the reductive and euphemistic popular rhetoric surrounding his film: that
Brokeback was a universal love story that transcended gender and sexuality and blah blah blah. In actuality, it was a film about two dudes who were in love and totally doing it when they should have been minding the sheep, and society's lack of tolerance for homosexuality is what made their relationship impossible. Not much universal about that, in my opinion.
But, I digress. Now we have
Milk, a film about equal rights, yes, but a film specifically and undeniably about gay and lesbian rights and queer visibility, filled with gay characters who celebrate their sexuality while struggling with the forces that try to keep them in the closet. "Gay brothers and sisters," Harvey
exclaimed, "you must come out. Come out to your parents... come out to your relatives... come out to your friends... come out to your neighbors... to your fellow workers... to the people who work where you eat and shop... come out only to the people you know, and who know you."
Hollywood has set an amazing and important precedent by not only celebrating
Milk, but also by embracing and applauding the powerful words of an openly gay screenwriter and a hugely famous actor who played an openly gay character in a popular film. This is indeed a powerful moment, and hopefully one that catalyzes a shift in popular consciousness towards acceptance and increased rights for our queer American neighbours. But now it's time for Hollywood to continue to follow Harvey's advice. It's time for more actors and screenwriters and directors to come out, to put themselves out there as visible role models so that Black's words don't fade from the memories of all the queer kids who watched the Oscars on Sunday. It's time to eliminate this awful notion that being out destroys your career as a performer (this is, of course, best illustrated by
Tom Cruise, who has repeatedly sued everyone who ever called him gay on the grounds that it would damage his ability to find acting work). It's time for Hollywood to make manifest their applause by continuing to pave the way for increased queer visibility in all forms of mass media.
The cynical part of me feels like it's somewhat safer for Hollywood to celebrate an openly gay screenwriter than an openly gay actor, which is why we can have a homo write the script for
Milk but can't seem to cast real-life, out gays in major gay roles (and if they are gay, why won't they admit it?). After all, off-camera, your personal life is subject to much less intense scrutiny. However, don't get me wrong: I'm very happy to have witnessed a gay screenwriter and a gay-for-pay performer speak passionately about queer rights. But I'm waiting for the day when many openly queer performers can stand up and be visible enough to all the queer kids who are uncertain about whether or not they belong in this crazy-ass world.
And in the meantime, if we have a need to see lots of gays giving acceptance speeches, we'll all have to watch the Tonys.